DIARI DE SABADELL (Sabadell. Cenerentola.
11 de November de 1994)
“The comic character is given by Rosa Mª Ysás and Mireia Casas, “two ugly sisters” that quickly become pleasant for the public with an excellent interpretation.”
LA VANGUARDIA (Barcelona. La Bohème. September del 1996) “Sr. Roger Alier”
“When he sang with the excellent and fanny Musetta of Mireia Casas, the public became inflamed a lot and stop the performance with a big ovation, never seen in a “Bohème”. Because Mireia Casas has been the other triumpher of the night for her vocal agility and grace that she gave to her personage.”
ECO (Barcelona. La Bohème. September 1996)
“Very graceful The Musetta of Mireia Casas, her total penetration in her personage made to enjoy all and in the second act got up, with her companion, the public, interrupting the performance during some minutes.”
LINDEPENDANT (April 1997)
“Mireia Casas, soprano from Barcelona, in the aria from the work of Bellini, Puccini, Delibes, Donizetti, and in the Suzanna’s aria from the “Marriage of Figaro” of Mozart, she made to move the public for her voice and expressive movements of the features that remember the big Maria Callas.”